64 Hexagrams / 50
Ding · The Cauldron
Nourish others, but first be able to carry the weight.
Judgment and Plain-Language Notes
Ding: Supreme good fortune. Success.
The Tuan commentary reads the cauldron as an image: wood fed into fire is cooking. The sage cooks to make offering to heaven, and cooks on a larger scale to nourish the worthy. Yielding while the senses stay sharp, rising to the upper place and meeting the firm from the centre, brings great success. The Xiang image is fire above wood, and the noble person makes the position correct and the charge secure.
Li above, Xun below. Fire burns above the wood: this is the cooking vessel. The cauldron is the thing that bears weight and feeds people, turning raw into cooked and private resource into public nourishment. The judgement is only four characters long and pitched extremely high. The lines run from a cauldron tipped over so the old filth can be poured out, through solid contents and strong fittings, to jade carrying-bars at the top. In the middle sits the heaviest warning in the hexagram: legs that snap under a load beyond them spill everything they were carrying.
The judgment's supreme good fortune and success rank among the text's strongest verdicts, echoed by the commentary's great success in nourishing sages and worthy people. The fifth six's beneficial steadfastness and top nine's great fortune with nothing unfavorable give an excellent ending; the second and third nines also end positively. The fourth nine lowers the assessment: broken cauldron legs spill the duke's food, bringing misfortune, and the Image questions trust. This points to serious consequences when the entrusted person lacks the capacity for the role. An excellent structure has one severe failure point, hence the rating: Rather Good rather than the best. This is the app's interpretation of the text, not a guarantee of outcomes.
Worth doing: secure the structure that bears the load and set out who does what before you widen the responsibility. Avoid: accepting a heavy charge on an unsteady base, or gathering resources you then fail to use well.
Understand This Hexagram Through Its Structure
Li above, Xun below: wood beneath fire — turning raw material into something finished.
- Name the upper and lower trigram of Ding.
- Explain why Ding and Ge are often read together.
- Point out that The Cauldron and The Household use the same two trigrams in the other order.
The lower trigram of Ding is Xun: a broken first line with two solid above. The upper is Li: solid, broken, solid. The second, third, fourth and sixth lines are solid.
Xun below reads as wood and Li above is fire: wood under fire is cooking. A ding is a vessel, and the hexagram concerns turning raw material into something usable, which takes a container, the right heat and time. It is often read after Ge: Ge replaces the old and Ding brings the new into shape. Tearing down without building does not stop at Ge structurally.
A teaching example, not a prediction: after stopping the old process, a team spends three months turning the new one into documents and tools that can be handed over. Ding describes that structure of bringing something into shape.
The Six Lines: Original Text and Reflection
Six at the beginning: The cauldron overturns its legs. Removing what is spoiled is beneficial. Taking a concubine for her son brings no blame.
The Xiang commentary says an overturned cauldron is not contrary to sense, and that pouring out what is foul is favourable because it makes room for what is valuable.
The cauldron is tipped with its feet in the air. It looks like disorder, yet it is exactly what empties the old residue, and that makes it favourable. Gain arrives through an irregular route, and there is no fault.
An embarrassing upset is sometimes the only chance to tip out years of accumulated grime. Rather than rushing to set the pot upright and refill it as before, clean it properly while it is empty.
What did your recent upset tip out that should have gone long ago?
Nine in the second place: The cauldron has substance. My rival has an affliction and cannot approach me. Good fortune.
The Xiang commentary says that a cauldron with substance calls for care about where you go, and that a rival hindered by affliction leaves nothing to reproach in the end.
The cauldron holds something solid. The side opposed to you is occupied by its own troubles and cannot come near, so the line reads well. When you actually hold something of substance, the direction you take matters more, not less.
When you have real results in hand and your rivals are too busy to bother you, that quiet is exactly when people pick the wrong direction. Use the undisturbed stretch to think the direction through rather than to expand fast.
Nobody is blocking you right now, so where are you putting your effort?
Nine in the third place: The cauldron's handles change, obstructing its movement. Pheasant fat goes uneaten. Rain is coming; regret diminishes. Good fortune in the end.
The Xiang commentary says the altered handles have lost their proper function. The handles exist so the carrying-bar can pass through; once they no longer fit, the whole cauldron is immovable.
The handles have changed shape, the bar no longer passes through, and the cauldron cannot be moved. Rich pheasant meat sits inside and cannot be eaten. Only when the rain comes do the loss and regret ease, and the end is favourable.
Having the ability and the results yet being stuck because one connection does not fit is a wearing position. Hurry does not help here. Repair the connection, wait for outside conditions to loosen, and what you built is still yours.
Is the thing that is stuck your capability, or just the connection?
Nine in the fourth place: The cauldron's legs break, spilling the duke's food and soiling its form. Misfortune.
The Xiang commentary ends with a question: the duke's meal is spilled, so what becomes of the trust? It points at responsibility when a charge is given to the wrong hands or a load exceeds the person bearing it.
The cauldron's leg breaks and the lord's food is spilled, leaving the bearer drenched and disgraced. When the weight taken on exceeds what you can support, the task is not the only thing ruined; the trust goes with it.
Take on something clearly beyond you and the loss when it fails is not only that project but other people's read on your judgement. Saying that you cannot carry it is far more dignified than straining until the pot goes over.
Is something on your plate already heavier than you can carry?
Six in the fifth place: The cauldron has yellow handles and metal carrying rings. Steadfast correctness is beneficial.
The Xiang commentary says yellow handles mean holding the centre as the real substance. Yellow is the colour of the mean, and the metal bar is the valuable, solid crosspiece.
The cauldron is fitted with yellow handles and a metal carrying-bar, the connection correct and firm, and holding steady is favourable. What lets a cauldron do its work is not what has been put inside but whether it can be lifted cleanly.
For someone in a pivotal position, the greatest value often lies in making sure other people's work gets caught and carried onward. Being a good connection matters more than competing to be the ingredient.
On your team, are you the contents of the pot or the bar that lifts it?
Nine at the top: The cauldron has jade carrying rings. Great good fortune; nothing unfavorable.
The Xiang commentary says the jade bar at the top shows the firm and the yielding regulating each other. Jade is both hard and warm, the very image of the two in proportion.
The cauldron has a bar of jade at the highest place, greatly favourable with nothing that does not suit. Jade is hard and warm at once: at the top position, strength and softness have been tuned to each other.
The people who reach the top and still carry others with them are rarely the hardest ones. They are the ones who can hold firm and also give way. Insist where it counts, yield where it counts, and the force lands correctly.
Right now, which do you have more of, your firmness or your give?
Try It Yourself
Swap the halves so Li moves down and Xun moves up, and see what the name becomes.
This page has a hands-on exercise. It is built into the Traditional Chinese page: open the interactive exercise.
Quick Quiz
Source: Wikisource, Zhouyi. Classical text in the public domain; digital edition under CC BY-SA 4.0 . revid 2106200 (original text checked against the Wikisource MediaWiki API revisions response on 2026-09-24). Historical wu and yu are retained. Heng in the Judgment's cooking passages follows the source rather than the cooking-specific peng character. The third nine's rain and diminishing regret, and the fourth's spilled ducal food and soiled form, retain source characters. Wikisource conversion markup is removed, keeping enclosed forms unchanged. The source diagram says “Xun below, Li above,” matching linesBinary 011101. Accessed 2026-09-24. CC BY-SA 4.0 . This page retains the original app's arrangement of the classical text and plain-language teaching, reformatted for the web.